10/31/2022 0 Comments Brian eno oblique strategies sticker![]() ![]() But to a recipient of the invitation in 1977, this decision wouldn’t have been as clear-cut. One copy of the invitation is now in the collection of Bowes Library at Stanford University, marking it as an object worth saving. Its unwieldy title is typical of Weiner’s work, which uses language as a material to construct imagery in the mind of the viewer, and organizationally it is divided into three labels: one in English, one in German, and one with a combination of the two languages. ![]() marked), with a probability of being seen, his upcoming exhibition at Konrad Fischer Gallery. decorated), having been decorated with (i.e. In 1977, Lawrence Weiner created an invitation for Having been marked with (i.e. The virtual exhibition includes works by artists including Eleanor Antin, Andy Goldsworthy, the Guerrilla Girls, Alison Knowles, Jacob Lawrence, Allen Ruppersberg, Ed Ruscha, Kara Walker, Andy Warhol, and Lawrence Weiner, among others. These editions, posters, placards, invitations, and preparatory documents point to the way an artist’s practice often flows across media, with ideas or aesthetics explored through a variety of formats. Jess Shenson Fund.Īrt/Object considers contemporary works in the collections of the Cantor Arts Center and Bowes Library that fall between the cracks of obvious medium categories. We gratefully acknowledge the support of Sue and John Diekman, the Geballe Fund for Academic Initiatives, and the Drs. Jennie is a PhD candidate in the Department of Art & Art History at Stanford University. This exhibition and accompanying publication are organized by Jennie Waldow, Cantor Curatorial Fellow, and Cantor Arts Center staff. The resulting exhibition projects are designed to provide doctoral students with the unique opportunity to work directly with objects as they curate focused, scholarly exhibitions that relate both to their own research interests and to the museum’s holdings. The initiative, the Cantor Curatorial Fellowship, aims to make the multifaceted museum a compelling and vivid component of the department’s graduate student academic experience. This exhibition and publication are part of a collaborative initiative between the Cantor Arts Center and Stanford’s Department of Art & Art History. ![]()
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